El Cine

Last week I had the privilege of attending a film showing Elefante Blanco (White Elephant); a film set in the flavelas of Retiro, in Buenos Aires. With a spectacular script, Elefante Blanco humanized both the role of the flavelas and the catholic church in the city in a way I have never seen on screen before. The importance of Catholicism to the people here is undeniable, and this film so honestly portrayed the informal interactions of priests within these neighborhoods. It also allowed for an understanding of the interworking of an area of Buenos Aires I will never see. The film was entirely in spanish and I didn't have subtitles to bail me out, but it was well worth the brain power. Elefante Blanco was directed by Pablo Trapero and premiered at the Cannes Film festival earlier this year. The neighborhood in which this film took place is three train stops away from my station; about fifteen minuets.

Two days ago I attended the film premier of El Premio//The Prize. Part of the Festival International de Cine de los Derechos Humanos (International Film Festival of Human Rights), The film followed Cici, a 9 year old girl, through the story of a life in hiding from an Argentine regime during the Dirty War Era. The film was brilliant, and though there were subtitles (Something I did not expect) they were unnecessary. The acting was powerful, and often wordless, and the film beautifully captured the fear, confusion, longing and innocence of the protagonist. The filmography was natural and the characters honest. The most interesting element of the film was the way sound was incorporated. The sound wasn't buffered, muffled or adjusted to be the same volume the entire film. In fact, in contrast to the Hollywood norm, the sounds varied in volume so drastically that you felt the shock, pain and annoyance along with the characters; an element I believe did nothing but add to the film itself. El Premio was produced by a Mexican Film company in 2011, and ran 107 min. It was directed by Paula Markovitch and has won numerous awards including Best Picture at the Morlina Film Festival. I was also fortunate enough to meet the two actresses who stared in the movie, Paulina Galinelli Hertzog, who plays Cici, and Viviana Suraniti who plays Maestra Rosita.

Cici (left) and friend in the Cold Southern Beach Setting of El Premio

Photo Credit

It's a good time to be in Argentina. If you're a film junkie, head on down.

As always,
Besos,
Hil